• On the Avengers and on a roll! All Kamala needs to do next is take down the evil suits destroying her city without ruining her personal life!
• Too bad all of Jersey City thinks Ms. Marvel is the real enemy!
• Bad guys and bad hair days. (Also the title of Ms. Marvel’s next album.)”
Read more about it on Goodreads.
This time there’s definitely racial profiling going on as the residents of the new condos have moved in and security is checking that everyone on the street are people who are meant to be there. So a woman in Muslim clothes (Aamir’s girlfriend) gets stopped and questioned. Even though as Kamala points out people use the side walk to go places.
They then meet some of the residents who have glowing eyes and talk strangely. If it’s that obvious something is wrong, and these people are just on the street where anybody can see them, then how has this not been reported. It’s the marvel universe there must be a hotline for when things like this happen because it must happen all the time.
Security’s on high alert because Kamala broke in and she got away with a can of purple goop so Bruno can analyze it.
The villains are very obviously bad guys and they don’t seem to care about hiding it either. Explaining your evil plot is not smart and neither is revealing who you are no matter how foolproof you think your plan is.
Elsewhere in the plot Kamala’s mother doesn’t want her being a superhero anymore thanks to all the negative publicity. And I really like that she has to keep her grades up if she wants to continue to be Ms Marvel. I love the conversation they have but Kamala proves to be right in that you can’t just ignore a problem when things get bad.
And Aamir gets a girlfriend who Kamala approves of because they exchange a Dune reference.
It’s also funny how this comic is criticising a company taking Ms Marvel’s image and repackaging it for marketing purposes when that’s what marvel does again and again.
I’m not keen on the cover because she doesn’t fight a robot with a tentacles in the comic and Mike, Bruno’s girlfriend, doesn’t appear in this issue unfortunately. But at least the image is more fun than the last cover.
I want her to have better villains. As fun as a giant frog is, she needs something a little more diabolical. And this new villain is in the big leagues so much so I’m actually worried about how this will turn out with Bruno in the firing line.
Kamala continues to have real world problems and fight real world issues. This issue wasn’t as much fun as last issue but replaced it with lots of interesting conflict and left us on a solid cliffhanger.
“Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool. The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.”
This is pretty much what I expected and that’s both good and bad. First the good stuff. It’s funny and fast paced and they get Deadpool spot on. The violence is over the top and hilarious as well. The fourth wall breaking doesn’t go so far as to break the movie.
The supporting characters are good and I wasn’t expecting colossus to be so entertaining. He plays the straight man to Deadpool and it works really well. T.j. miller from How to train your dragon is good as well. It took me a while to place him. They’ve even got an old lady as Blind Al but she’s only in a little bit.
The only good thing I wasn’t expecting was how good the romance between Deadpool and his girlfriend was going to be.
So far in super hero movies I can name two couples that are actually compelling and I like to watch. That’s Tony Stark and Pepper Potts, and Peter Parker and Gwen Stacy, who were the only good parts of The Amazing Spiderman 2.
Vanessa is just as weird as Wade and they play off each other really well. So much so that it’s actually emotional when he gets cancer and they have to deal with it as a couple. I got emotionally involved in a movie where Deadpool gets shot up the arse and you see the bullet hole.
But it feels like all that good stuff gets wiped out when she then gets treated like female characters always do in these movies. The bad guys get hold of her because Wade’s causing them trouble and he’s got to go save her. Boring.
You know I actually believed this trailer when they had her saying I’m no damsel in distress. I can’t believe I fell for that.
And you’ve got so many people saying this is such a different super hero movie, it’s reinventing the genre. No it’s not. It’s just more focused on comedy than your typical super hero movie and is quite a bit more violent but everything else stays the same.
It felt like watching Guardians of the Galaxy and being disappointed with Gamora all over again. Or like with Ant-man and how they treated Hope.
Why couldn’t she have been a mutant or been involved with the plot in some way other than just being the love interest.
The expected bad stuff is that he may be pansexual but I didn’t see any reference to it. And if I missed all the little implied references, well that’s not good enough. I’m tired of it being implied and having it go straight over my head.
If a bigot can watch it and deny the sexuality of the main character then it’s not good enough. It’s cowardly and pathetic. The director confirms Deadpool’s pansexual to people who ask, who have a vested interest in Wade’s orientation, but won’t state in clearly on the screen. All you needed was one line from Wade stating he had had a boyfriend or he’d slept with men. Something.
I guess I got what I asked for though. There’s no homophobia. At least I don’t think there is, again all these little implied things tend to go over my head. Although there was one scene where she had a strap on and they were trying anal sex but he didn’t like it and I suppose that was meant to be a joke. Why isn’t he allowed to like anal sex?
I guess I also forgot to ask for no sexism because it’s 2016 and we should be over all of this shit by now.
It’s good enough movie and it made me laugh. And once I get over my disappointment I’ll be re-watching this movie. That will just take a bit of time. By the time the sequel comes out I’ll be fully on board again and hoping for better. As always.
“Their joyous reunion actually a little less “joyous” and a little more “How about I reunite my fist with your ear,” Angela and Sera meet face to face at last!
To rescue her beloved, Angela learns that she cannot steal Sera from Hel–she must conquer Hel, and rewrite the laws as old as death to free them both from the abyss!”
So we learn some stuff this issue that effects the previous Angela series. In Angela: Asguard’s Assassin Sera was already dead and in Hel but controlling Malekith who was disguised as her.
So Sera’s angry about being left in Hel for a very long time and a lot of magic gets flung about. Angela is all very apologetic and because she’s an angel, who are all about making things fair and repaying debt, she asks Sera to name her price. She’d probably do anything for Sera anyway but the guilt’s making her promise the world. Like getting Sera out of Hel when that’s kind of impossible because she’s dead. There’s also the question of how much she should feel guilty because she didn’t know for quite a while that Sera was dead.
Angela decides to challenge Hela for the throne like the unstoppable force she is, even as she notes that Hela is more than a queen here. More like a goddess and Hel bends to her whims.
Sera being the all knowing narrator tells her she has to go through trials to defeat Hela and Angela doesn’t even stop to consider not doing it. I mean as they’re having this conversation she’s fighting Hela’s minions so she’s already in defiance of her.
The art work is the same as before being the standard super hero type of art for the present but we do get another flashback of Angela’s memories of them together and it’s that beautiful art work again from last week’s flashback. I also love the cover. Sera looks more sad and defeated than you’d think she’d look attacking Angela.
But this comic is ultimately a love story and Sera even references it in her narration. She also breaks the fourth wall a bit. I’m always wary of characters doing that (unless they’re Deadpool), especially when it’s a dramatic story rather than a comedy, which I think is easier to get away with but Sera’s aware of her narrator status and she uses it to her advantage. And you don’t know exactly how her magic works so it could come with her being able to see things.
I’m not usually into romantic stories but I’m fully invested in this one. They would do anything for one another and they don’t just talk about it. They have their quiet sweet moments like Angela having cold feet in bed. Then they also have a lot of power individually but together they seem unstoppable and I really want to see what the consequences of Angela being queen of Hel is. Ripping things apart for the one you love is nice and everything but you can’t go messing other people up because something went wrong.
I can’t wait to see what the other trials are and I hope they won’t be quite so easy as the first one. I want Angela to be really challenged. She is fighting to take over Hel after all that should be a hard thing to do, even for Angela.
“Someone is murdering ghosts, a supernatural crime so impossible to solve that John Constantine is forced to return to London and seek help from the one person he hates more than any other; a magician above reproach, a darling of London high society, and a friend to superheroes everywhere. She is Georgiana Snow…the HECKBLAZER!”
Read more about it on Goodreads.
So we delve more into Constantine’s past this issue but I really don’t like the art they use for it. It’s all very purple and I find it off putting. There’s also a change of artist for the non flashback bits as well and I’m not keen on that either. I really liked the other style in the first and second issue but I guess I’ll get used to this.
Constantine has gone back home to England and is looking up old friends but it appears he doesn’t have many. The only one alive is Georgie who is very competent and makes Constantine look like an arse. He rushes in without thinking and it’s very annoying. I don’t know the character well enough to tell if this is out of character behaviour, having only known him for two issues before this but he was over confident in the last issue so I guess that’s just what he does.
And he gets himself into a lot of trouble that Georgie has to save him from. She works for the supernatural division of MI5 or something like that. She knew Constantine back in the good old days and didn’t really like him then either.
I love the cover though. That really stands out and I love how Constantine is trying to smoke even while Georgie’s crushing him with her boot.
It didn’t really feel like much got accomplished this issue. Other than John annoying Georgie. We learn a bit about his past but none of it really gripped me. I think it must be because of how much I loved the previous issue that this is a bit of a let down.
We get to see how he interacts with others who know about demons and stuff. He’s a bit annoying but I like that the less nice parts of his personality are on show and get criticised. Things like that always make characters feel more human but then you can’t do it too much because the audience has still got to like the character and root for him. This almost crosses that line for me. He messes up and I found myself thinking that he should stay out of Georgie’s way but then he had a very humanising moment and you realise how alone he is and I’m back on his side.
While this issue wasn’t as good as the last issue it still develops the mystery of the ghost killer, if only a tiny bit. And I think John and Georgie are going to be a really good pair of characters to play off each other she’s all about studying, high society and being uptight. While he seems to wing stuff and have sex in clubs.
“The scathing look at foodie culture and celebrity chef fandom continues. Think Anthony Bourdain in a Transmet world.”
Read more about it on Goodreads.
The environmental and criminal excess message gets a little more heavy handed this issue as he tracks down a fish that’s thought to be extinct, and if you can find it, costs 100grand per pound. So not only is it exclusively for the wealthy they’re also flaunting their wealth to people who probably can’t afford to eat on a reality TV show.
It does raise some interesting points though. Like why would the wealthy continue to ignore an environmental problem that eventually will effect them just so they can continue to spend more and more money to pretend it’s not happening.
It’s again something that’s going on now and is kind of fascinating. How can you ignore a problem like that? I guess some of it is blissful ignorance but in this day and age it’s hard not to be aware. That’s something you have to work at. You have to shut your mind down at any evidence. And I guess it’s a bit of fatalism. Loads of people think the world’s going to end anyway so I guess you might as well die comfortable.
I just don’t understand how you can be aware of a problem and not help solve it if you are in the position to do so. That’s probably why I’m finding this comic so fascinating.
So Gavin and Sheldon go out drinking thinking they’ve got a lot of time to the next competition but the chef in charge hates Gavin and changes the times. Somewhere between issue 1 and issue 2 Gavin made it to the finals.
We also meet another chef this issue who does what she does for the love of it and not to get rich or famous and Gavin considers joining her as she makes him an offer to start up their own restaurant. It’s a criticism of celebrity culture and doing things to make a a lot of money quickly. Getting rich and being famous aren’t everything.
I don’t like the cover. The fish is placed strangely and I don’t think it looks good. But it does stand out so I guess it does it’s job.
I’m a bit disappointed we didn’t get to see him defeat everyone in the first round or in any of the other rounds. The enjoyment I’m getting out of this book is having rich selfish people get what’s coming to them and I want to see more of that. It’s still interesting but maybe I’ve been exposed to too many dystopian stories for this to hold my attention for long. The message also seems to be taking priority over character building and his winning moment this issue felt a little fake to me because of it. Gavin’s getting developed as a character but no one else is and I don’t know how long he can sustain a series by himself.
“Gabby’s best friend Cindy remained on Earth at the end of her last adventure with the Doctor – a decision Cindy immediately regretted! Now, with only Gabby’s sketchbook of unseen adventures to guide her, she must find her way back to the Doctor… but sinister forces already have her under surveillance!”
Read more about the issue on Goodreads.
I found this issue a bit boring. The journal theme was a good way to recap a lot of stuff and show how traveling with the Doctor works but I’d rather read the actual adventures.
I’m being a but cynical but that felt a bit like they were making a pitch to new readers. Here are the reasons why you should read Doctor Who. Although there is a reason in the story for the journal to be there. Gabby gave it to Cindy when she refused to come with them so she could read about their adventures. Now she’s regretting not going and the journal is making that feeling worse.
I’m also really glad that this issue turned out not to be a complete recap for the entire issue. I don’t like it in TV episodes and I think I’d hate it in a comic when I could just go back and read previous issues. And I would have bought the issue for new story it’s not like TV.
It’s also funny that this is a Doctor light issue because the TV show had Doctor light episodes to save money and give the actors a break. None of those reasons apply to comics. Although some of the Doctor light episodes have been some of the best (Blink) so maybe that’s what they were going for because some of the reviews I’ve read seem to like this as much as those episodes. Limitations do breed creativity. And while I like quiet episodes that explore character this didn’t quite do it for me.
The main action of the issue happens when the journal starts predicting the future and it freaks Cindy out. This spirals into the characters from the cult of the black pyramid having to save her from someone who wants the journal.
Then the best cameo ever happens and I become more forgiving of the parts I didn’t care for. I’m not going to reveal who it is but I really hope it’s not just a cameo and they’re in the next issue. Hell I hope the next issue picks up from this point. If you’ve watched the early new Doctor Who episodes you’ll know who it is and if you haven’t then I’m hyping it up for nothing.
I like this cover better than the others because I think it represents Doctor Who better as the fun mostly optimistic show it is. Cindy’s reading the journal and she’s lit up with wonder or excitement while panels of adventures float behind her. I wouldn’t have put it past them to have her sat on a park bench looking serious maybe with a little rain cloud floating above her head.
And the cover actually matches the art inside. But not the first style of art which is the journal part of the issue. The second part where Cindy is involved and the art is more ordinary. Let’s hope we’re done with gloomy covers.
I liked this issue and Gabby’s writing about how she sees the Doctor but also summing up Doctor Who being a thrill you won’t forget but also dangerous. Hopefully we’ll get Cindy traveling in the next few issues.
Rating: 6 out of 10
Previous: Doctor Who: The Tenth Doctor (year 2) #2
Next: Doctor Who: The Tenth Doctor (year 2) #4
I didn’t think there was much to be excited about movie wise this month. There was only Joy and that’s because Jennifer Lawrence was in it and the trailer showed her with a shot gun. I didn’t expect to like Creed so much that I went to see it twice (something I’ve only ever done for super hero movies and How to train your dragon). Nor did I think I’d be so bored by The Revenant I’d hate it as much as I do.
“A story of a family across four generations, centered on the girl who becomes the woman (Jennifer Lawrence) who founds a business dynasty and becomes a matriarch in her own right.”
Joy is the only likable character in the entire movie. Her family are all terrible and I have no idea why she supports any of them. I don’t care if they’re family, they are all awful people, which may make them entertaining but also really annoying if you’re exposed to them in more than small doses.
Her ex husband isn’t too bad once he gets out of the basement and actually manages to help her. But everyone else seems to want her to fail. They’ve done nothing with their lives so they don’t want her to succeed either.
It’s also a bit of a weird movie. There are lots of time jumps and it’s all linked together through narration by her Grandmother. The problem I had with it was I’d get really into the future scene or the flashback and then suddenly we’d be in the present again and I’d forgotten we’d jumped forward or back because it had been a while.
I liked it because it’s got a lot of energy to it and it’s a bit weird giving me a break from the same old stuff you always see. Jennifer Lawrence is always good and she holds it all together.
It’s not for everyone though and my mum hated it, finding it really boring. Not everyone likes weird stuff and it might be a bit all over the place for some people.
Rating: 6 out of 10
“Adonis Johnson (Michael B. Jordan) never knew his famous father, boxing champion Apollo Creed, who died before Adonis was born. However, boxing is in his blood, so he seeks out Rocky Balboa (Sylvester Stallone) and asks the retired champ to be his trainer. Rocky sees much of Apollo in Adonis, and agrees to mentor him, even as he battles an opponent deadlier than any in the ring.”
I wanted to like this movie because the trailers looked good but I wasn’t prepared for how much I would like it. The movie centers around Adonis Creed who wants to be a fighter but never put the time needed into it to go professional. His life is heading in a different direction until he decides to quit his job and make boxing his full time focus.
Michael B. Jordan does great as Creed but it’s Sylvester Stallone that I was surprised by. I didn’t like the first Rocky movie and I haven’t watched the others because of it but in this I was really invested in Rocky’s story.
Stallone and Jordan have great chemistry together. As do Adonis and his girlfriend, even the romance isn’t boring. She’s got her own thing going on and has an actual personality. I have seen so many movies where they substitute personality with being hot, as if that’s a character trait. She feels like a real person and so it feels like a real relationship I can get invested in.
The movie is mostly about legacy. Creed is building his own legacy, while stuck in the shadow of his father’s legacy and Rocky is looking back at what he’s going to be leaving behind. I found the movie a lot more emotional than I expected it to be and that’s down to all the great characters.
I always love movies that show getting good at something is hard work. And after all Rocky has the most famous training montage of any movie.
This movie had me invested throughout the whole thing. All the relationships worked for me and I cant wait to see where Creed goes after this. Because there has to be a Creed sequel. Even if it got ignored at the Oscars it’s better than all crap that got nominated (excluding Room).
Rating: 9 out of 10
“While exploring the uncharted wilderness in 1823, legendary frontiersman Hugh Glass (Leonardo DiCaprio) sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home to his beloved family. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald (Tom Hardy), the former confidant who betrayed and abandoned him.”
That summary of the plot above is a lot more exciting than the actual plot. The opening scene is exciting, even though we know nothing about these characters as they are graphically killed. So I’m not emotionally invested I’m just cringing at the gore. But a fun action scene is a fun action scene.
And the bear attack is gripping for a few seconds before it goes on too long and I’m sitting there, skeptical he would have survived a bear standing on his head and then jumping on his spine. And that’s after he’s been chewed on and ripped to shreds. Oh and not to forget he also gets his throat slashed. If they were going for realism that’s where they lost me but I was still interested in how he was going to get his revenge when, you know he eventually got betrayed. Except it really is eventually. The movie is so slow.
This wasn’t the movie I was expecting. I was expecting a deeply personal revenge tale that’s heavy on the drama and has a little action thrown in because it’s a western. Instead I got a movie obsessed with over the top violence and making the character suffer (beyond what I think a human could survive) just because suffering is what gets you nominated for an oscar.
I had to look up who directed ‘12 years a slave’ because I was convinced it must be the same director as this. They both have the same long pointless shots that go on way too long. Although at least ‘12 years a slave’ had a character in their long pointless shots, even if he is just hanging from a tree while they try to emotionally manipulate us.
And the same boring main character who is only interesting because you’re beating the crap out of him.
Glass really is such a boring character. I already knew from the trailers that his wife was dead but I didn’t know that that was all we were going to get on his character.
Well done he has the most popular (cliched) back story for a male character ever. I was prepared to ignore the Disposable Woman trope because I thought there would be more to him than that but there isn’t. And the rest of the movie lacks any depth either so I’m not going to ignore it.
It’s like this director looked at ‘12 years a slave’, decided he wanted to win an oscar too and took all those elements and added them to his story. There is no point to this story.
The main character doesn’t change or grow. The only change is that his son dies and we see that in the trailer. If the point is, revenge is in god’s hands, then that’s stupid because half the movie is him just surviving and has nothing to do with his wanting revenge. He’s struggling his way back to civilization because if he doesn’t he’s going to die. The only choice he makes is to live, everything else just happens to him. He spends the entire movie reacting to what other people, or nature, are doing.
This movie wasted over two hours of my life. It’s so slow (I can’t drive that point home enough). The opening action scene was quick but then everything slows to a crawl and we get long shots of the sky or trees. Like they’re trying to be deep and failing miserably. Instead of adding anything to the movie it takes me completely out of it. I’m sat there wondering if the projector broke.
This movie also suffers under the delusion that you can sacrifice interesting character for torture porn and get away with it, just because it’s a drama and not a horror movie.
I don’t watch the torture porn sub genre of horror because it’s boring. Graphic torture isn’t interesting to me and it doesn’t add any depth to your movie but it does seem to fool a lot of people into thinking it does.
I’m convinced that’s why 12 years a slave got an oscar (that and America seems to be pretty racist), and I’m fairly sure that’s why this has been nominated.
They wasted two and a half hours of my life when you could have cut an hour off easy by getting rid of the long shots of the sky or when his wife appears to him multiple times and keeps repeating the same lines about trees being strong. I get it I don’t need it hammered home.
Of the cast Tom Hardy is good but needs subtitles because I can only catch a word every other sentence. Leonardo Dicaprio probably deserves an oscar for this. His performance is good I’m just distracted by the shitty movie.
It’s a very pretty movie but it doesn’t have much else going for it. It should probably win for best cinematography but not best picture. This is just torture porn for pretentious people who like drama.
Making your main character suffer a whole lot of pain does not add depth. If it did hostel or one of the saw movies would have won an oscar by now.
I was so looking forward to this movie and it so let me down.
Rating: 3 out of 10
“Held captive for years in an enclosed space, a woman (Brie Larson) and her 5-year-old son (Jacob Tremblay) finally gain their freedom, allowing the boy to experience the outside world for the first time.”
If The Revenant is everything I hate about movies then Room is most of the things I love. It looks at the world from a unique perspective we don’t usually see in this way, that of a child and I found it utterly captivating. From the beginning as the boy narrates his world and you see how his mother has kept him and herself sane, to the second part as he explores the outside world.
The first half is the boy and his mother stuck in a room and it’s all the little things that keep it interesting. She tells him stories about how there’s nothing else but what’s in the room so when it comes time to escape she has to make him understand there is actually a whole world out there and what he has to do when he gets out. Everything depends on him being able to cope with all these new things he’s never experienced before. Like grass, trees, people and animals. It had me gripped. And is an example of how you have only a few characters and keep it interesting without needing one of them to be attacked by a bear.
The little boy is a brilliant actor and Brie Larson has been nominated for an oscar. I’ve seen all the oscar movies now and Room is the only one I think is any good. The rest of them I’m not even sure why they’ve been nominated.
Rating: 9 out of 10
There’s Deadpool which is the movie I am most looking forward to this year, Zoolander 2 that I’m not looking forward to, Goosebumps that I hope will give me some nostalgic feels and Spotlight that I hope will be as epic as the trailer promises.
“Somebody is killing the only friends John has: the ghosts that haunt him! How can you kill what’s already dead? John is going to find out and make this adversary pay!”
Read more about this issue on Goodreads.
I love it when magic and the occult are on the edge of society as feelings and actions you can’t explain and don’t want to delve too deeply into because you’re scared of what you might find. And I love it when you have that character who understands and jumps in anyway. Walks among the monsters. It’s all so creepy and I love it.
This issue we get some of the rules explained and they seem like pretty obvious stuff but you can’t take anything for granted when it comes to fantasy universes. So ghosts are echoes of the people who died and so they themselves as echoes can’t die. And this gets explained in a very entertaining way as the ghosts flee as a way of showing how much they trust Constantine (if they’re haunting him I guess he’s the one that got them killed or who they blame for it at least).
So he decides to force the issue and travels around the city collecting objects of power and walking through haunted places picking up a trail of ghosts as he goes. It’s a series of pages with very minimal dialogue. His narration tells the story of the people who died in these places and it’s genuinely creepy. The house at the beginning that he calls a thin place gives me shivers.
Gary who seems to be the main ghost that haunts him continually tells him that he should stop and it’s a bad idea. But Constantine is so confident by the end of his power and ghost collecting that you’re confident with him. The heroes always win and he won pretty effortlessly last issue. But there’s still that little bit of unease because the ghosts are scared of something. It makes what happens all the more powerful. And even if ghosts aren’t the actual person who died (as he insists) and only echoes they’ve still been with him for years.
The cover is again a symbol of what you’re getting inside which is always my favourite way they do covers. I never like art pulled straight from the panels. I always like it a little bit more symbolic.
This is such a good issue that I might buy it digitally so I can read it again and again without damaging my physical copy. I love how the magic works and the thin places and the horror of everything. The creepy characters he meets and his narration. It all works for me. I can’t think of a criticism. It sparks my imagination and that’s the best praise I can give it. I want to tell stories this good.
Rating: 10 out of 10
Previous: Constantine: The Hellblazer #1 Next: Constantine: The Hellblazer #3
“The internationally-beloved, butt-kicking, smack-talking, most adorable super hero makes her triumphant return.
Look out world, Kamala Khan is back and officially an Avenger! Yup, the dream to end all dreams has happened for Kamala. She’s toe to toe with the best of the best, but will being one of Earth’s mightiest heros be everything she imagined? Is being a celebrity hero as wonderful as Kamala has hoped? Plus: WHO IS THAT WITH BRUNO??”
Read more about this issue on Goodreads.
Kamala is now an Avenger and has everything that comes with that so she’s adding avenging to an already busy life and things are going to get missed. Some of them quite big things.
For example it’s 8 months on from telling Bruno to move on and so he’s got himself a girlfriend. And that’s not her only problem that happened when she wasn’t paying attention. Developers are buying out all the local shops and gentrifying the entire place and they’re using her image to promote it. Which is something the community doesn’t like at all.
She investigates and it turns out they are not quite what they seem when their security guards have high tech weapons and security drones that target suspicious loiterers. I know she was actually causing a problem for security but I can’t help but wonder if this is a comment on racial profiling. It’s mostly the wording that gives me that impression. I tend to miss things that people don’t state outright so I’m working on catching when people imply things.
The first half of the book is about showing you where Kamala is and I love that Loki’s lightning golems are still at the school and one of them is even a crossing guard.
The second half of the book deals with how she got where she is by showing a flashback of how Bruno moved on in her absence and found a girlfriend. With a background subplot of Kamala dealing with a giant frog throughout their progressing relationship.
She may be an avenger but she’s also a teenager and not equipped to handle quite so much at once. She lashes out at Bruno when she realises he’s moved on and even body shames his girlfriend because she’s plus sized (and that’s refreshing because the rest of the female characters are skinny). What’s even better is he calls her out on it and she apologises. That’s what I love about Kamala she feels like a real person who makes mistakes but she learns from them as well. She evolves as a character.
The art inside is a little different from the cover but not enough to really stand out. This is another comic where the image doesn’t really represent what’s going on inside. Cover Kamala looks a lot more serious than her inside counterpart who is ecstatic over being an Avenger and getting into fun adventures. I like that she’s got an avengers necklace on.
This is exactly the sort of comic that was missing from my childhood. Instead of reading Spiderman, who never stopped wining and having progressively worse things happen to him as the writers tried to break him, I could have been reading something fun. Where the character evolves and grows as a person. I hope they never do to Kamala what they did to spiderman and reset her to a previous state because they want to appeal to the young people. But of course they will it’s Marvel. (side note I really liked spiderman and I’m still bitter about One More Day.) I wonder how long we can go before this gets a reboot and all the fun is sucked out.
What I’m trying to say is buy this comic it’s very good. And I think the last page had wolverine riding a sloth in the top right corner. I think I’m missing a reference but then that’s nothing new.
“It’s chaos aboard Presley Station, as the corrupted Shan’tee – conceptual beings from a different order of reality – prey on the human colonists, while on the gas giant below, vast storms conjure up winds of horrifying speed — that threaten to tear the Station apart! Caught in the middle of the chaos: the Doctor and Gabby! Can the Doctor find the counter-melody that brings peace back to the Station? And can the ever-humming Gabby keep herself from singing – to stop her mind being invaded by a sentient song?!”
It picks up where the last issue left off. The doctor running through the falling buildings as the Bovodines stampede above. He actually makes it to the TARDIS which doesn’t usually happen because the writers like to cut him off from it to stop an easy way out of the story. This time he needs it to get up to the space station.
The doctor’s figured out that the nocturnes are not a natural virus but that someone is attacking the Shan’tee because they don’t like the peaceful relationship between the humans and Shan’tee.
Smokey, the Shan’tee that we met last issue, stows away on the TARDIS and helps the doctor with getting past the security on the space station that attacks them because it doesn’t recognize either of them as humans. I like that the Doctor’s temporary companion for this issue is non-humanoid. That doesn’t tend to happen either.
While this is happening Gabby gets to take charge of the people panicking at Presley station as more stampeding Bovodine’s are heading towards them about to destroy everything. And they’ve just found out the virus can now jump to humans. The doctor left her there to be safe but she’s a companion so anywhere she goes is never safe.
This story could have benefited from being another issue long as we were only just introduced to these characters and this interesting world and it’s already over. Another issue would have allowed them to explore the planet more fully and give the story room to breathe. The solution feels a little abrupt and giving it longer might have felt more satisfying.
The art work is still as brilliant as the first issue. I like this cover better than the first one. It’s more representatvie of Doctor Who is but still too gloomy for what happened in the issue.
A satisfying enough conclusion to the first arc but could have been better and I hope the next story continues with interesting ideas. (I really didn’t have a lot to say on this issue)
Rating: 6 out of 10
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